Sabtu, 11 Februari 2012

[I100.Ebook] Download PDF The Routledge Handbook of Japanese PoliticsFrom Routledge

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The Routledge Handbook of Japanese PoliticsFrom Routledge

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The Routledge Handbook of Japanese PoliticsFrom Routledge

The Routledge Handbook of Japanese Politics is an advanced level

reference guide which surveys the current state of Japanese politics,

featuring both traditional topics and cutting edge research. The volume

is divided into five sections covering:

  • domestic politics
  • civil society
  • social policy
  • political economy
  • and international relations/security

The first four sections begin with an overview chapter that provides

historical background information on the section’s overarching topic.

The chapters that follow explore more specific topics in the sub-area.

In the final section, historical background information is contained in

the individual chapters which cover the diverse areas of international

political economy, security and foreign policy.

 

Offering a complete overview of the full spectrum of Japanese politics,

the Handbook is an invaluable resource for academics, researchers,

policy analysts, graduate and undergraduate students studying this

ever-evolving field.

  • Sales Rank: #3848733 in Books
  • Published on: 2011-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.75" w x 1.00" l, 2.15 pounds
  • Binding: Hardcover
  • 464 pages

Review
"Summing Up: Recommended. Undergraduate and graduate student collections."--J. C. Hickman, CHOICE (February 2012)

About the Author

ALISA LYNN GAUNDER is Associate Professor of Political Science at Southwestern University. She was hired to build the East Asian studies program there. She is the author of Political Reform in Japan: Leadership Looming Large, Routledge, 2007.

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0 of 0 people found the following review helpful.
No longer a good value -- let your institution buy it
By A. J. Sutter
This book unfortunately suffers from bad timing, excessive brevity and bad pricing. After looking it over closely for an evening, I decided to return it.

The book was published about two weeks before the 2011 March 11 earthquake and tsunami, so obviously it is silent about that event. The bigger timing problem, though, is that it was published midway through the Democratic Party of Japan's fleeting hold on power, when no one could foresee the party's implosion before the end of the following year. As a result, too many contributors credit the 1994 election reforms with bringing 2-party rule and alternations of power into Japanese politics, overestimating (as we know now) both the Liberal Democratic Party's failures and the DPJ's durability.

The book might nonetheless have been useful as a sort of compilation of information about Japanese politics between 1945 and 2009 (and BTW, this book is *only* about postwar politics), but for the fact that the contributions are rather short, typically 10-12 pages. Although the selection of topics is good, and some of the articles provide interesting perspectives (such as an article about hierarchies of citizenship in Japan), their brevity makes it difficult for many of them to survey the relevant literature. As a result, this is more like a conventional edited volume of articles emphasizing their respective authors' points of view, rather than a "handbook" providing a bird's-eye view of a topic. Even as to the facts it does present, it doesn't always succeed in serving its advertised function as reference material. E.g., an article about money and politics compares campaign costs for LDP and DPJ candidates in various elections, but only up to 2005. Another article downplays the practical importance of improperly apportioned election districts as giving the LDP only a small advantage, but lacks a table or chart that might have provided more quantitative support for this proposition. I couldn't find any discussion of the algorithm used for proportional representation (d'Hondt), much less of the reasons for its adoption and retention in Japan. The Supreme Court of Japan merits less than a page of discussion. There is a unified bibliography at the back of the book, making it difficult to see what sources a particular author relies on or ignores.

Still, if the price had been closer to $40 or so (not exactly cheap), I might have kept it for the facts and figures it does contain and its several interesting bits of more robust analysis. But the price is prohibitive. While neither Oxford nor Elgar publish any direct competitor to this book, their handbooks are typically between 2x-3x as long (with Elgar's being especially text-dense), at a comparable or lower price. Simply put, today this is nowhere near a US$200/JPY20,000 value, especially if it's coming out of your own pocket or research expense allowance. For that price, you could buy several monographs, or more focused edited volumes, about the topics that interest you most. I hope the publisher will recognize that the book is already dated, and issue a paperback edition in the lowish two figures (USD), or perhaps reduce the e-book price to the low end of that ballpark. Until then, read your library's copy, or rely on other sources.

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Jumat, 10 Februari 2012

[S502.Ebook] Download Ebook Your Everyday Art World (MIT Press), by Lane Relyea

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Your Everyday Art World (MIT Press), by Lane Relyea

Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning.

Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy. He analyzes the new networked, participatory art world -- hailed by some as inherently democratic -- in terms of the pressures of part-time temp work in a service economy, the calculated stockpiling of business contacts, and the anxious duty of being a "team player" at work. Relyea calls attention to certain networked forms of art -- including relational aesthetics, multiple or fictive artist identities, and bricolaged objects -- that can be seen to oppose the values of neoliberalism rather than romanticizing and idealizing them. Relyea offers a powerful answer to the claim that the interlocking functions of the network -- each act of communicating, of connecting, or practice -- are without political content.

  • Sales Rank: #452292 in Books
  • Published on: 2013-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .81" w x 5.38" l, 1.26 pounds
  • Binding: Hardcover
  • 264 pages

Review

Your Everyday Art World is a smart account of the functionality of the art world in the context of information-age capitalism. Relyea's sharp readings of trends, exhibitions, and artworks attend closely to the interweaving of the social and the economic in the art world's 'networked culture' of platforms, flexibility, and mobility, demonstrating how closely its values adhere to those of contemporary neoliberalism.

(Frazer Ward, author of No Innocent Bystanders: Performance Art and Audience)

Don't worry: this isn't yet another 'sociology of the art world.' In writing that is conversational in the best -- Socratic -- sense of the term, Lane Relyea offers a compelling analysis of the rise of networked connectivity and DIY agency in contemporary art, and the extent to which they shape our actions as art world denizens.

(Sven Lutticken, Assistant Professor, Art History, VU Amsterdam)

With prose of galvanizing punch and verve, Lane Relyea details the ways in which the flesh of art responds to the new spirit of capitalism, providing a Benjaminian jolt of homeopathic recognition. At once highly personal and rigorously engaged, this book is a model of committed criticism and a must for anyone committed to the long front of culture -- including to writing well about art.

(Judith Rodenbeck, Professor of Modern and Contemporary Art, Sarah Lawrence College; author of Radical Prototypes: Allan Kaprow and the Invention of Happenings)

That Relyea manages to build this examination from a wide lens, taking such a sweeping range of information and artists into account, pushes what could be a topic of limited interest into the realm of compelling theory, provocative while resisting any easy conclusions and ultimately finding insights that extend beyond the world of contemporary art.

(Publishers Weekly)

By locating the effects, tropes and techniques of post-Fordist regimes upon our art worlds, its institutions, and subjects, Your Everyday Art World brings a healthy dose of skepticism to many of the modalities of contemporary agency that artists and art institutions presume and have come to rely upon, perhaps too optimistically. Despite the ways Relyea himself limits the application of this critique, the book offers a strong counterpunch to the neo-entrepreneurial ideology that does indeed shape too many of our institutions and our romanticization of a "network society." As a result, Your Everyday Art World is a valuable text that should be taken up, argued over, and made use of.

(Ashley Hunt X-TRA)

Ultimately, Your Everyday Art World is a sophisticated, incisive and deeply engaged book, and Relyea's willingness to be polemical and take a position provides an example that more art historians and critics would do well to follow.

(Saelan Twerdy C Magazine)

About the Author

Lane Relyea is Associate Professor and Chair of Art Theory and Practice at Northwestern University and the Editor-in-Chief of Art Journal. His essays and reviews have appeared in such journals as Artforum, Parkett, Frieze, Art in America, and Flash Art.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Artworld defined as a Network with numerous Platforms
By Mike Wild Bill
The concepts are well grounded and thoroughly researched. Any artist not familiar with the new art-world paradigm is at a tremendous disadvantage. Should be required reading for all MFA graduates. Lane Relyea's academic writing style tends to be cumbersome and tedious - I prefer lucid writing with a diverse tempo and verbs that do the heavy lifting however his research and insightful commentary expound on the form of today's art world. No regrets for buying this book.

2 of 2 people found the following review helpful.
Good Read.
By John O'Hearn
Very interesting insight into some very important art happening in the last couple decades. What I like most about this book is that it discusses a group of artists and alternative spaces that aren't typically studied in art school. What I like least is when the author goes on very wordy tangents, which seem unnecessary. He seems to alternate between this and a more humble, straightforward approach, which I prefer. I'd say it's a great option for an MFA class, or any advanced student of fine art that wants to learn about the lasting affects of 90's art, which has yet to make it into the history books.

2 of 3 people found the following review helpful.
Not an overview, more an extended and too specific conference paper about two shows and their participants in Glasgow and LA.
By Reader and Writer
The book looks fantastic but one quickly realizes that it's too narrow, focused on european artists especially around Glasgow, and the artists taking part in early pop up shows in the LA area. As I read onward, through relatively plodding chapters, I kept expecting a really decent overview and wrap up. It never came. The book doesn't provide an overview of the many ways artists have taken back power from the galleries today. It also attempts to give a sort of lineage for this contemporary mindset and related events, yet this lineage as presented is scattered and rambling. I used it for a class and the smarter students of the class all had the same opinions which were: the book didn't answer the fundamental questions they wanted answered, it wasn't particularly well written, and it didn't inspire them, either with inspirational offerings or a rationale for taking art away from the systems of modifications. I tend to agree. I hoped it would build on Bourriaud's Relational Aesthetics, but sadly nope. I'm still hoping for a book that does.

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Rabu, 01 Februari 2012

[C496.Ebook] PDF Ebook The missing link in modern spiritualism, by A. Leah Underhill

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The missing link in modern spiritualism, by A. Leah Underhill

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

  • Published on: 1885-01-01
  • Dimensions: 8.00" h x 1.29" w x 5.00" l,
  • Binding: Paperback
  • 516 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A BOOK BY THE ELDEST OF THE FOX SISTERS
By Steven H Propp
Ann Leah Underhill (1814-1890) was eldest of the Fox sisters whose reports of spirit "rappings" launched the Spiritualist movement in the 19th century; Leah was the manager of her two younger sisters (the next-older sister Margaret ultimately confessed in 1888---before this book was written---to bogus "manifestations").

As her sisters' rappings became known, "Many of our visitors were anxious to learn, through the Spirits, how to make a fortune. Some wished to know the secrets of others... some wanted to know what numbers they should buy in a lottery, to be successful; others would wish to be advised in their stock speculations. To all such questions ready responses were given, but invariably ended in failures." (Pg. 52-53) After they engaged a hall to display their show, "Our career was now commenced. After all our resolving not to go any more before the public, we had been forced to let the world know what was revealed to us, and what was meant not for us alone." (Pg. 117) Later, she admits, "We received a good deal of money... but it was as freely spent as given. We, none of us, have ever been accused of the spirit of hoarding..." (Pg. 263-264)

She quotes a 1851 newspaper account which presciently stated, "the rappings... are produced by the action of the will, through voluntary action on the joints... the noises precisely identical with the 'spiritual rappings' may be produced in the knee joints." (Pg. 169) She indignantly replied to the paper, "we are very willing to undergo a proper and decent examination, provided we can select three male and three female friends who shall be present on the occasion." The examination was arranged, and "as we, Maggie and I, sat together on a sofe, and after long waiting no raps came, one of them rested his arm on the back of the sofa and actually, with his knuckles, made behind me three raps which were not a bad imitation." (Pg. 172-173) She recounts another test environment, when investigators concluded "the mediums have no more power over the sounds than the investigators have." (Pg. 259)

Regardless of one's opinion of the Fox sisters, this is must reading for anyone interested in the history of the Spiritualist movement.

1 of 1 people found the following review helpful.
Important primary source written in more difficult 19th century style
By Robert C. Bright Jr.
A primary source written by the eldest Fox sister, a founder of Modern Spiritualism. I gave this volume three stars because the writing style is more difficult for the 21st century reader than many other 19th century authors. I kept expecting to encounter the Lord Blackadder's 'contrafibularities,' his comedic attempt to out smart Dr. Johnson.

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